This new release, the second volume in the Witold Lutoslawski symphony cycle by the Finnish Radio Symphony Orchestra and its chief conductor Hannu Lintu, brings together two symphonies which belong to the most remarkable symphonic creations of the late 20th century.
In his 2nd and 3rd symphonies Lutoslawski is laying out the principal foundations of his creative legacy. Conductor Hannu Lintuwas recently nominated for a GRAMMY for his recording of new works by Kaija Saariaho (ODE 1309-2) together with the Finnish Radio Symphony Orchestra. He also won the Gramophone Award and ICMA Award for his recording of the Bartók Violin Concertos together with Christian Tetzlaff and the Finnish Radio Symphony Orchestra.The same recording was also nominated for the 2019 BBC Music Magazine Awards. Recordings by the Finnish Radio Symphony Orchestra under Hannu Lintu on Ondine have gathered numerous excellent reviews in the international press. Two of their recordings were nominated for Gramophone Awards in 2018. One of them, including orchestral works and songs by Jean Sibelius also won an ICMA Award in January 2018. The first volume of their Lutoslawski symphony cycle was chosen ‘Recording of the Month’ by the BBC Music Magazine in February 2019.
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Reviews
"... In sum, this is a thoroughly successful ad recommendable disc."
Phillip Scott – Fanfare – November/December 2020
Chosen by Times critics as one of the best Contemporary Classical albums of 2020
The Times & Sunday Times – 10 December 2020
Nominee in Best Orchestral Performance Award category
63rd Grammy Awards 2021
Orchestral Choice
Performance ***** Recording *****
"... Altogether, Lintu's Lutoslawski cycle sets a new standard."
John Allison - BBC Music magazine - May 2020
Pizzicato Supersonic
“… Hannu Lintu consistently shows himself to be a careful performer of this music, focusing on structural clarity. He is very good at implementing Lutoslawski’s rich sound world. The orchestra is in top form, and is optimally supported by the recording technicians.”
Uwe Krusch – Pizzicato.com – 10 March 2020
Recommended
“…Strongly recommended.”
Stephen Barber – MusicWeb-International.com – 3 April 2020
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